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WEEK 12

The original text:
My creative response:

Being who you are

 

Undefiled rice

derived from paddy

Wooden chopstick

taught by daddy

The mutual colours

and mutual horizons

of the two

made me

 

The yellow tan color

Under my skin

Appreciated by the yellow community

Depreciated by the white community

 

Flowing from one to another

Learning new history to fit in

Struggling with the approval

Fighting with the misunderstanding

 

When with my family

Fool

Follow the masses?

Follow the cultures?

No!

Stop being a fool to even think

They will ever accept

 

“Ni yao duo gen wai guo ren yiqi

Saying that I need to follow the white community?

“Ni hai bu gou nuli

Saying that I am not trying hard enough?

 

I’m a pure Chinese

Say it loud

Say it proud

I’m who I am

I accept who you are

I admire who you are

I respect who you are

I support who you are

I appreciate who you are

Say it loud

Say it proud

We are who we are

 

We ain’t lose my culture

We ain’t follow the masses with despite

 

I like folks and table-knives

I like cereals and sandwiches

I like potatoes and tomatoes

But I love rice and chopsticks

 

Integrating what I have

And what I don’t

Appreciating what I have

And what I don’t

 

Yes, we need approval

But what if we never were approved?

Confidence!

Walk like a lion

Run like a wolf

Fly like a dragon

 

Its confidence made us

Its identity made us

Its life made us

It’s you made you

Being who you are

Love yourself

Enhance yourself

Like a lion

Like a wolf

Like a dragon

My analysis:

 

Being Afakasi by Grace Taylor is a strong spoken word poem, and I find it interesting. When I first listened to her spoken word, I actually didn’t know what Afakasi is, I went on google and found Afakasi is used to describe people who have one Samoan parent and one Palagi parent. Grace Taylor was born in a half Palagi and half Samoan family.

​

In Grace’s spoken word, she mentioned she was made by “English roses snow blooded lines, Samoan tattoo coco blooded lines intertwined,” she used metaphors of “English roses” and “Samoan tattoo” to describe her parents. I think this is very interesting to use specific metaphors to define her family and culture.

​

Grace also mentioned she couldn't fit into the brown community because of her white skin, “This white skin nurtured in a brown community, struggling to find unity, within me.” She felt she’s excluded because she’s mixed and she doesn’t have the brown skin as many do. I think she felt the loneliness mostly from her family because her family made fun of her white skin as well. “Even within my own family, RACISM, spoken from the mouths of my own blood, saying it as a joke? Saying it with love? No! Don’t be so naive to think I don’t know it’s about me you speak.” Grace’s family made some jokes about her, and they think Grace won’t be able to understand their jokes about her skin tone. That’s why she felt she’s “whiter and whiter.”

​

Grace also cited few conversations about her from others, they were talking about Grace’s identity, first they thought Grace is palagi but Grace’s mum is Samoan, this made her an Afakasi.


“Ummmteine palangi”,
“I hear her mum is
sar-mo-win?”
“Who? Grace? She’s
afakasi man, hamo hard.”

​

Grace is a strong woman to speak up about her identity; she talked about “I’m a half Samoan, say it loud, say it proud, Feeling I gotta be a little louder, Speak a little browner.” This is to show that she’s upset with the racism and she wants to be more accepted. That’s why she needs to speak louder and browner, because it’s the only way she can be heard and accepted. She talked about, “What I gotta do to prove I’m just as Samoan as you?” Many don't believe she’s a Samoan and they need her to prove she’s a Samoan.

She later talked about “Your blood flows the same as mine, I’m still learning my culture and identity, but I feel what you feel.” This is to interact with the brown community and tell them she’s one of the community.

​

Grace’s poem is powerful to interact with the people who have lack of confidence in their identity, and it told people not to identify people by looking at their skin tone. I think it’s unfair to the people who are not fully blooded to their kind such as Afakasi because they must feel much sadness to not look like much Samoan and other fully blooded brown people keep reminding them that they are not hundred percent Samoan. Because of two different family backgrounds combing together would make people hard to identify themselves. For example, Samoan might think Grace as a white instead of Samoan; White people might not believe Grace as a white. Strangely, Grace considers herself as a Samoan instead of Palagi. I have a friend; she’s half Chinese and half Korean because she grew up in China then she identifies herself much more Chinese instead of Korean. I think Grace is the same; maybe she grew up in Samoa then she considers herself much more Samoan.

Reflection:
In the final week, I have chosen Grace Taylor's spoken word for my creative writing response. I have used two sentences of Chinese in my poetry. Because Taylor had used some Samoan language in her poem, it made her poetry extremely powerful. I have never used Chinese in any of my poetry because I know most of the readers won’t understand what it meant. Because this is the last poetry that reflected Pacific literature, I tried my language to emphasize my thoughts. The primary reason of why I used my language is because my family always forced me to fit in a society with foreigners, they refused me to hang out with my kind. I think it is important to hang out with both. I tried to encourage the readers to be proud of who they are and to be confident and to be strong, like lion or wolf or dragon. “Being who you are” is a simple poetry that emphasized identity but I tried to courage people who had not yet fit in the society to accept who they are and to accept different people. It does not mean if you are a westerner, you can’t explore Asian’s culture. You could have it all if you want.  
 
References:
Grace, T. (2011).Intertwined : Being ‘Afa Kasi.
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